Artist – Sue Htet Aung
Exhibition Title – Pyithu
Venue – Nawaday Tharlar Gallery behind Park Royal Hotel
Sue Htet Aung’s new politically-charged series makes use of large chess pieces, drawing on an obvious analogy between political games and a game of chess. This metaphor is so obvious that the painting with a woman easily identified as Aung San Suu Kyi is titled “Strategy and Hero.” The artist asserts that some games reveal heroes who stand by the people.
Pyithu is a Burmese word for the people. Ordinary people are at the very heart of this exhibition content. When you talk about politics, you cannot escape the people. The word itself originated from a Greek word meaning in relation to citizens. The spirit of the people is hauntingly there in these paintings.
The one intriguing aspect of this series is its focus on the ongoing religious conflict and the politics behind it, with a trail of religious leaders walking abreast away from the viewer. At a time when New York Times calls Aung San Suu Kyi a “coward” and a few protestors in Yangon are pressuring the United States Ambassador to leave because of the use of the word “Rohingya,” the portrayal of religious harmony and solidarity in the arts is a brave and peaceful message this community needs.
Go see for yourself at Nawaday Tharlar Gallery!
As my country Myanmar goes through a historic transformation, I have noticed a peculiar thing under the current of changes, and that is the political power play found in Myanmar’s politics. Of course every nation on earth is engaged in tit-for-tat games, and I as an ordinary person have been engrossed in these games without even realizing.
In a nation, games are played out in religious, social and economic spheres. At times, these games lead to neatly decided outcomes and stability, but at other times, games lead to conflict. To this end, I have been witnessing both scenarios unfolding in Myanmar. In these scenarios, I have seen the major religions come together in solidarity to tackle the social ills in my country, but I have also witnessed the unfortunate birth of religious extremism in Myanmar. I have seen ordinary citizens like myself become a collateral damage in power negotiations way beyond our control, but I have also had the privilege of witnessing the birth of heroes, who choose to stand by the people in hard times.
It is my pleasure to present all of this sentiment in an art form in this exhibition.
– Sue Htet Aung